"The category of “contemporary art” is not a new one. What is new is the sense that, in its very heterogeneity, much present practice seems to float free of historical determination, conceptual definition, and critical judgment. (…) At the same time, perhaps paradoxically, “contemporary art” has become an institutional object in its own right (…) Is this floating-free real or imagined? (…)"
|~ HAL FOSTER, Questionnaire on «The Contemporary», 2009|